Funk Trunk

August 6th, 2010

O.k., new wee video (down below) – Mr. Peck likes this one… not that he didn’t like the other two, but he especially likes this one – and a new poster (download this baby off the ELEPHANT project page ). Oooo! Ahhhh! Wednesday night we did a rough stumble-through in the Stock Pavilion. Here’s a shot from the rehearsal – Jessica Cornish I believe. It was 30,000 degrees kelvin in the space. We are all made of special recently discovered elements. We do not melt. We only become stronger with heat and dust.

The mighty Susan Becker and Rose Morefield came to observe the proceedings – they will be offering their costume-expertise, construction and counsel. Huzzah! Doug Pugh brought a car-load of audio equipment to test out the space. It works! Additional huzzahs! Chris and Doug talked a lot about the sonic-magic of a woodchip floor. Jen and Jessica were heroic with their absolutely exhausting sequence and they’ve built a fantastic pre-show thing. And Aaron Austin…well, he may be in the show. He’s not sure if he can swing it. I’m not going to tell you what he does because it’s a surprise. Let’s just say his name is… AARON and his last name (I think) is AUSTIN.

OH! Gary’s voiceover for the stop-motion section is amazing. Really haunting and beautifully done. I’ll be stopping in to Nicki Werner’s studio this coming Monday to see what all the folk have made for stop-motion models. I knocked out the animatic yesterday. I was kind of frantic to finish it. I’m really glad I did it. It’s going to make the actual stop-motion shoot clearer.

Chris Peck left this morning. He’ll be back a week before the show opens. My goodness. Things are moving quickly aren’t they.

Stop Motion Elephant

July 30th, 2010

First of all: Tonight! PechaKucha at Krannert! 20 slides, 20 seconds per slide. 8:20pm outside, unless it’s raining and then it’s inside. Andy Warfel is emceeing. I’m going to talk about ELEPHANT. Jen and Chris Peck and I are going to sing a tiny bit. And I’ll pretend I’m an 82 year old lady named Anastasia from Elkton South Dakota. What could be dreamier? And this – all of our posters are being taken. This is good. Anna Peters is putting up a new ELEPHANT poster every week. When she goes back to put more up… the old ones are gone. I think this is good. If you want a poster, download one from the ELEPHANT project page here on this site. I’ll update the download each week with the poster that we’re slapping around town. I like them. I think they’re worth stealing.

O.k. Here’s a wee picture from the meeting of the Stop-Motion Minds that we had last Monday. Emily Denis, Anna Peters, Nicki Werner, Julia Pollack, Chris Hampson, Sean Brice, Andrea Jennings, Bill Fulara and Hanako O’Leary … I hope I didn’t forget anybody … all got together to make some test-models. They did some super-simple pipe-cleaner-ish ones and some full-on clay models. Below is a picture Nicki sent me of the elephant she made.

The whole stop-motion section for ELEPHANT is going to be about 7 minutes long. Chris Peck recorded Gary Ambler doing the voice-over yesterday. So we’ll take the storyboard drawings that Bill and Andrea have made, scan them in, lay down Gary’s VO, and edit in the storyboard scans along with the VO – and then shoot the thing with the models that everybody is making. I’m nervous about being able to shoot 7 minutes of good stop-motion. I know we don’t have Fantastic Mr. Fox time to make this – at the Motion Museum or TV Museum or whatever it’s called in Queens the Gumby and Pokey exhibit says that they make 5 seconds of animation a day. In the Fantastic Mr. Fox clip about making the movie they said they did 30 seconds of animation a day… but they also had at least 4 separate shoots happening simultaneously. But the thing is this: enthusiasm! The mighty-model-builders seem to want to go for the more time-consuming, more detailed approach and not the faster pipe-cleaner approach. We decided to do a hybrid of clay and fabric/wire. There was a big craft-party the other night. Crafters rule! All hail the mighty crafters! I hope we’re not biting off more than can be chewed.

The story that we’re telling with the models is really quite sad. The models are all around 4 or 5 inches tall… some are more. So, it feels like we’re going against the grain in a couple of ways – sadness and size. The tiny models will be projected on screens that are 20 feet high and 90 feet long (sitting and watching Inception the other day… why do people like this movie so much? It’s like the lamest parts of four James Bond movies all slapped into one movie that’s REALLY IMPORTANT because of it’s incessant use of THE FRENCH HORN… and realizing that the screen I was looking at was “only” about 35 feet long… what am I doing?) and claymation is usually sort of goofy and funny. I’ll have to remind myself of hiding under the couch because I was terrified of the Abominable Snowman in Rudolph The Red-Nosed Reindeer.

Oh. And then there’s this: the mighty Ryan Thompson is doing some work on the website and the list-serv. Dark, sunless, code work that is immensely helpful and deeply appreciated. Thanks Ryan!

And this! Chris Peck and Jen Allen have made some ELEPHANT RINGTONES! OH, THE HUMANITY! Coming soon!

Consider The Elephant

July 10th, 2010

ELEPHANT – July 10 from Deke Weaver on Vimeo.

So much to do. Here’s a new video for your delectation. Please pass it around.

Last year I was reading Miranda July’s …. oh, whatever it’s called… No one belongs here more than you. Her collection of short stories. There was a first-person-rhythm she has that got me on a nice writing jag. Same thing happened when I was writing Kip Knutzen. Then I was reading John Irving and Carlos Castenada. So, for ELEPHANT, and the bits and pieces I still need to flesh out, I started to reread Ms. July. But since there’s a lot of essay-ish, informational stuff I want to get at, I’ve been reading David Foster Wallace’s collection of essays, Consider The Lobster (recommended by Ernie Scott) at the same time (Damn. I know everybody knows it’s good. But, damn. It’s really really good. And he’s from Urbana-Champaign. Really sad that he topped himself. He’s so incredibly smart, that when he starts looking deeply into particular subjects, he sees all the angles. A lot of not-so-pretty angles. Maybe that’s what brought him down?).

I’m trying to figure out things like this: informational writing sort of stuff but how to make it compelling, LIVE (as in not dead, present, in front of breathing humans). Then you mix in possibly intimate storytelling with gigantic Stock Pavilion space – and, uh… is this going to work? What do you keep? What do you cut? I guess this is the danger of reading elephant stuff for a year and a half and then trying to pour it into a 75 minute mold.

Doug Pugh joined our merry band. He’s been a sound-god for Assembly Hall and much rocking and rolling. Chris, Andy and Doug met yesterday to talk about the nuances of sound, gear, liveness-of-room, can-you-understand-the-spoken-word-in-this-huge-space, number of inputs, number of speakers, placement of said speakers, and the-benefits-of-wood-chip-floors. Wednesday night we had another production meeting. Andy revealed a breathtaking 3-D rendering of the piece, some elephant puppet plans, and the hopes and dreams for our future. Thursday night we had a small gathering of ELEPHANT folk: Anna Peters, Julia Pollack, Rob Lee, Rebecca Walter, Elina Kotlyar, Andrea Jennings, Emily Denis, Chris Peck. Some of these guys are going to make some mini-props for a bigger stop-motion piece that will be in the show. A couple of them will make a beautiful shiny white elephant. Later in the summer, we’ll gather a elephantine-quilting-bee sort of group and punch grommets into the six 30′x20′ sheets of raw canvas that we’ll make into screens.

And, finally: Hi Kevin.

Elephant Elixir

July 6th, 2010

On Saturday Jen and I went over the the Stock Pavilion to look around. Andy came over too. He’s kind of brilliant. No, not “kind of”… he’s just plain brilliant. The screens are going to be uber-big. Lots of birds flying around. Weird old everything. I spent the rest of the afternoon rotoscoping – a nice bison from Mr. Muybridge. I’m doing about 10 of his animals. Then I started grabbing video from Thailand. Today it was Jojo crashing down a hillside eating bamboo. Amazing, gigantic sound.

I’ll give the sound to Chris and he’ll take it to his workshop and make golden-sparks shoot out of the air and into your ears and you will be transfixed, stunned. And then we will suck out your blood and replace it with a greenish glowing elixir and control you and send you to other dimensions where the Elephant Gods will implore you to give give give everything you’ve got.

Another production meeting tonight. Rehearsal with Cynthia this afternoon… oh! Performing in this fabulous event will be me (duh), Jennifer Allen, Gary Ambler, Cynthia Oliver, Chris Peck, Kyli Kleven, Steve May, Jessica Cornish, and a cast of thousands. I’m getting tingly just thinking about it… but that might be because of the civil defense/tornado siren that’s blasting over the building. I hate those things.

And … begin

July 1st, 2010

O.k., Chris Peck got into town on June 28th. Irene and Tumelo are letting Chris stay in their apartment while they have Wedding #2. He came to town with a couple of elephant-song-rounds in tow. Gorgeous. I’ve been humming them to myself when I’m shuffling around in the morning.

Last night we had a read-through of the draft we’re working with right now. It was great. Fab group. We were missing a couple of smiling faces, but here’s the folks that were there: Cynthia Oliver, Gary Ambler, Jennifer Allen, Chris Peck, Valerie Oliveiro, Andy Warfel, Anna Peters, Amy Theobold, and Elina Kotlyar. Some very talented people in the room. Here we go. Production meeting in a couple of hours.

Ah. Check out this wee video that we made yesterday.

ELEPHANT July 1st from Deke Weaver on Vimeo.