Here are some notes from a short WOLF showing I did in March. Val Oliveiro came and helped do some tech-cues. Thanks Val! Jen and I (and the Mighty Jessica Cornish) will do a little bit more this coming Friday, Lucky April 13th. 5pm in the Krannert DRK. Jen (Jen Allen – Wonder Lady) will be doing most of the driving in this showing. I have to say that this Real Live Art Lab thing (a monthly in-process performance/art/live salon that dance MFA student Kathleen Kelley has organized) is great. Not something that has existed in this town. And now – it does. Hooray. Go Kathleen! It feels good to get this going, get out of my head, out of my computer/journal and start generating some material to work with.

WOLF – did this on March 9th, about 15 minutes long
In the dark, with utility lamp and microphone, army-crawl up to the stump, peer around stump. Sound has “Just” going on sruti-box iPhone app.
“February in Minnesota, the onset of wolf mating season. From a blind in an experimental enclosure, I observed a female curled up asleep on a snow-covered hillside. The breeding male of the pack appeared at the edge of the clearing and walked over to the female. The two sniffed noses. No sound was made, no tails were wagged, and no hair was ruffled, yet the male walked quickly away. Any other observer would be left with a variety of hypotheses to explain this behavior, but I had an inside clue. Both of these wolves were equipped with internal radio transmitters that allowed me to monitor their heart rates. I saw that the female’s heart rate was normal, whereas the male’s was exceedingly high. I believe that the male was testing the sexual receptivity of the female and was anticipating success, whereas the female flatly wasn’t interested. Thus, we can see that what goes on inside a wolf can tell us a great deal about what we observe on the outside.” (text from Wolves: Behavior, Ecology, and Conservation, edited by David Mech and Luigi Boitani)
Crawl back from stump, around lowered screen, raise screen, raise mic stand, talk into mic on stand as new character – slow-guy with stuffy/runny nose – turn down sruti box drone.
This got me thinking about Whitley Streiber’s Communion which I haven’t read. You might not remember Communion. Aliens abduct a human, takes the human up into the spaceship, and anally rapes the human. For information. Most human beings never remember it – this anal … rape … information thing – they just lose track of some time. But some begin to remember what happened to them. Betsy’s read Communion and seems to swear by it. I don’t understand how you could swear by something that seems utterly terrifying. It’s like wildlife management and we’re the wildlife – dart, tranquilize, capture, trap, and trick them out with all kinds of devices – radio collars, transmitters, drugs, blood tests, all kinds of stuff – so we can GATHER DATA. They talk about how hard it is to catch a wolf in a plane or helicopter. Once they realize what’s happening, the wolf won’t ever let it happen again.
They are drugged. Their eyes remain open – do they retain this event? This horrifying ENCOUNTER … is this the 3rd or the 4th kind? I think there are 5 kinds of encounters. No. Wait. There are 7. The 7th kind is a union between a alien being and a human being to produce a “Star Child.” Of course there’s CLOSE ENCOUNTERS OF THE 3rd KIND – famous movie from the 70’s. Spielberg. What a thing to be watched and maintained all the time. You don’t need to be in a cage, because there’s nowhere you can go to escape. The whole world is a cage and you are in it. The people watching me are hiding so I will be able to act as if I were in a natural setting. As if I were living in the wild. As if I were completely free. (start high-pitched “Harmonium” sruti box sound) As if free will reigned supreme. They are studying me to examine my habits so they can provide sufficient habitats, where I will continue my habits in the habitat.
Video-projection starts – white screen slowly fades up. Text below in Computer voice comes layered over Harmonium, while I move stump and astro-turf to stage-right.
So there’s this guy. He’s like a door to door salesman. He’s selling trees. The person’s not interested, but still, somehow, asks him what he’s doing and why he’s doing it. And this salesman, this kid, says how everything he’s doing is basically too late. He says, “There’s the moment where the building is hovering, slightly swaying, just before it collapses.” Then he says, “We’re in that moment.”
That’s what it feels like. I think a lot of people feel like this.
Out of white screen, video fades up of wolf tugging at dead-deer, ravens fluttering, fades back to white. More Harmonium sound, then altered Black Keys’ “Howling For You” beat starts, Computer-voice continues over beat while I put on boots, cartoon hands, mustache, lumberjack gear, grab ax and set myself poised over stage-right stump. Video continues with drawings of wolf-facial features in various degrees of fear and aggressiveness fading up and out of the white screen
He’s got this girlfriend. He doesn’t know it, but they’ve got problems. She explains away her fucking the other guy because she’s “wild.” She says, “I’ve got this wildness in me.” I guess that’s one way to define that feeling. The other way to describe it isn’t about wildness at all – it’s the opposite: it’s desperation. Desperate to escape boredom and Existential Ennui. Bored to death with no prospects.
And what about this – the tree seller: if he really does have the ability to stop time – oh man, what the hell are they doing? What the hell are they doing being all mopey in their shitty little apartment? What the hell is she doing working out her pathetic daddy-issues fucking some lame ass sign maker? Well, o.k., maybe, as a filmmaker, THIS is her point: why are we fucking around when we could actually make the tides work again? Why are we so myopic and belly-button gazing and convinced of how bored we are, when in fact we have RICH and EXOTIC SUPER POWERS!? Maybe this is her point? I thought about her dad. He’s a publisher in Berkeley printing books written by … well … the one I red is very badly written and it basically feels crazy. Written about everybody traveling in a giant spaceship flying through Venus or Jupiter – some giant planet – the space ship PASSING THROUGH the planet and all the dimensional fuss and bother that has to happen for everybody on the ship to come through intact. And this all seemed to be coming through in this movie. All of it. She wasn’t holding any of it back, it was all on the table.
As this computer-voice-text finishes, the music shifts, I ax the stump to the beat of the music – in the future a contact-mic will amplify the strike of the ax so each time the ax lands in the stump a huge echoing boom fills the room. At the end of this musical chorus, I get on my knees, pick up the stump with the ax in it, and crawl slowly all the way across the stage with the stump in my arms – fade lights with sound til the only thing left is the sound of me struggling to carry the stump across the stage.